#31 Large Kokeshi Vessel klaviyo-bis-include its widest point sitting high

its widest point sitting high above a tapered foot

David Mellor's London line shows his characteristic mastery of form

With more than a hundred photographs of finished dishes as well as moving and evocative atmospheric shots of Chinatown

The Duo line by Sugahara is all about balance — balance of color

and the base for the hanger—a woven cord that matches the earthy red of the terra cotta glaze

#31 Large Kokeshi Vessel klaviyo-bis-include its widest point sitting highAkio Nukagas work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature Pleated Work technique of carving grooves into the wet clay after it is thrown on the wheel. The forminspired by traditional kokeshi dollsis accentuated by these grooves curving down the profile of the vessel creating movement and rhythm. After the first firing and before the second, he finishes the vessel by applying different